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BON  TON* 

REPUBLIC 

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Bon Ton Republic

Fine Art, Poetry, Prose

& Song

Books & Prints

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Bon Ton Republic com

Bon Ton Video

Bon Ton Republic 

Publications

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with Salvador Giardina, luthier/bass

photo: Shermichael Singleton

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My Life had Stood Because I could not E. Dickinson
00:00 / 04:29
La Belle Orleanna edit #2 - 12_6_19, 1
00:00 / 06:59
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2021

photo: Paul Barrett

02 The Hollow Men -T. S. Eliot mpg3
00:00 / 08:41
Elegy for Jane (by Theodore Roethke)M. D. Veritas
00:00 / 03:07
Tomorrow is a Long Time 2+_018.MP3Bob Dylan by M. D. Veritas
00:00 / 05:20
Oh My Love of Loops ed.1 - 1_9_20, 2
00:00 / 03:42

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Love Trumps All ed.1 - 1_10_20, 1.35 PM.M. D. Veritas
00:00 / 05:11
Eldoradio Rhapsody (Day Dream).mp3M. D. Veritas
00:00 / 06:05
Running Downtown with Sal loops 1 - 12_1M. D. Veritas
00:00 / 04:39
Love Song of J. Alfred Prufrock -T. S. EM. D. Veritas
00:00 / 11:53
She Walks in Beauty (Lord Byron)M. D. Veritas
00:00 / 05:15
Safe SecretsM. D. Veritas
00:00 / 03:49
ABOUT THE TRILOGY

A tribute to the musicality of Shakespeare's Sonnets in 3 volumes (& part of a 4th), it has over 300 sonnets with an allusion scheme like an elaborate parlor game, a rich appendix of essays and hundreds of illustrations from the decades long obsessive imagination of New Orleans visual artist Manfred Pollard, to augment and augur the shake-scenes of  M. D. Veritas gleaned from the present, history, philosophy, psychology, poetry, spirituality, art and science stretching from dramatic tragedies through romantic comedies like current expressions to timeless enlightenment for gratefully educated souls in the Iconcurchaic Age.    

About
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Gallery

Bon Ton Republic

Artificial Shakespeare Intelligence

Here in the Iconcurchaic Age, the Bard's influence once again thrusts into, parries with and is lovingly parodied for a quickening of reality beneath the surface of what light touches and illuminates with modernized archaic language ideas, images and poetic usages in the mysterious operatic container of the antique sonnet form.  This trilogy, centrally contained in Shakespeare AI, concludes with an in depth collection of essays on the elaborate sources of its encountered development.  An in depth emersion from the ideas considered there can enlighten, invigorate and challenge any open minded masters level university study of Shakespeare's Sonnets, in the context of any age, through the "new AI" of active inference according to Dr. Karl Friston's proposed "Free Energy Principle" like a double exposure AI. 

 

“The New AI” essay is a delight.  I do not pretend to follow all the threads but was compelled by the artful stream

(or perhaps eager torrent) of consciousness.  This stream emanates the physics of self-organizing, sentient systems, through the

structured composition of Shakespearean prose and back again to the author’s inference about his own (natural) intelligence.  I

particularly liked his conclusion: “my work fits the theory as a predicted outcome in itself.”  This has all the beauty of Quine’s

desert landscape and echoes the (almost tautological) simplicity of all great existential ideas – from quantum mechanics to

natural selection.  I was also taken with the word “iconcurchaic”.  I fully endorse the proposal that it should be in the dictionary

(it is now in my spellchecker).  If we have words like “Google,” as semantic celebrations of epistemic foraging, we should certainly

have “iconcurchaic”.  This word is particularly fitting for the free energy principle, which has basically been around since the days

of Plato –and keeps enjoying renaissances –in one form or another –in the writings of Kant, Helmholtz, and a host of great thinkers

of the 20th century.  It is now iconcurchaic –in the 21st century –as underwriting the promise of ‘third wave’ artificial intelligence. 

And perhaps “Shakespearean active inference.”

   

   –Dr. Karl Friston,  Oct. 2, 2019,  Physicist/Psychiatrist, Scientific Director,

                                                              Functional Imaging Labs, University College London      

#4 Shakespeare AI  

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Photo: John Constantine

Paul Barrett: Field Medics, Ft. Belvoir, VA 1974

Walt Whitman engraving: William J. Linton

Bon Ton Republic

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Art: Hieronymus Bosch: Garden of Earthly Delights detail

College Boys

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Bon Ton Republic

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Eldoradio Road Streamlined Thoroughfare
Eldoradio Road Around the Acoustic Bend
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Veritas Epiphanies Angel with Lin's Flig
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Bon Ton Republic

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Photo: Karl Dietz

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Bon Ton Republic

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work in progress

Takamine Lake Love Songs

Takamine Lake Love Songs

Takamine Lake Love Songs
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Not Goin' to California, Missin' Mississippi

Not Goin' to California, Missin' Mississippi

04:08
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Another Rich Man's Plan edit1 - SD 480p

Another Rich Man's Plan edit1 - SD 480p

04:28
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Scrambellina1 2022-08-21 21:43 - SD 480p

Scrambellina1 2022-08-21 21:43 - SD 480p

05:59
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Reach you at Machu Picchu

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2021

Bon Ton Republic

Lin Emery Sculptures 1996 NOMA Retrospective

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Susan Austell NOMA 1996 Lin Emery Retrospective Immersive Piece 

Bon Ton Republic 

Bootleg  Trilogy

photo: Susan Austell

Chasing the Wombat to Eldoradio Road

{Eldo (rah) dio Road}

Acoustic Guitar Instrumentals

Produced by Rasta Bo Peep & Alexander Prime

Wombat photos: Gwen Sessions

Stripped Down Solo Roman Clone

Photo: Gwen Sessions

#2

Flaming Tongues

#3

Photo: Paul Barrett

Bon Ton Republic

Photos: Manfred Pollard & John Constantine

Bon Ton Republic

Photo: Shermichael Singleton

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Bon Ton Republic

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Gwen Sessions, Scrambellina, in Bon Ton Studios, Summer 2022 

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Lin's Metropolis Palm 2000

Lin Emery, Home Studio, New Orleans, 2000 

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Bon Ton Republic

"Confederate Cloud Cathedral," once on Lee Circle.. now, Harmony Circle, 2022

Photos, Manfred Pollard & Gwen Sessions

War is Over Monument 2022

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Gwen & Manfred's last Duet

Bon Ton Studios, Summer 2022

Walt's Kosmos Curiosity

BON TON REPUBLIC

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Lin Emery, NOMA 1996, T. S. Eliot, "Murder in the Cathedral" Installation Set & photo M. Pollard  

I love this picture of Gwen the most, it is the perfect compliment in composed demeanor and attitude to her beautiful childhood picture Cynthia took. I was stunned when I found it, which took moving a huge storage unit of contents, then cropping it to this state. She wears no makeup and seems in a state of inner contemplative peace, as she now appears to me in dreams ..it's as good as any Vermeer & better than Leonardo. The rose is Matisse cut out, via Cynthia ..who for my love of Gwendolyn, speaks far more for me than Picasso. For the title I thank Walt & Leaves of Grass. Overall, the composition, thanks, as I am often apt to do, to Warhol in New York, where Gwen also lived & worked after NYU Film School.

Bon Ton Republic

Leonardo's Deluge #1

Bon Ton Republic

Bon Ton Republic Publications.                                  A multi-media art venture through the past and presently into the future...

Bon Ton Republic™ Studio/Gallery,  M. D. Veritas™  

contact:  mdveritas52@gmail.com

P:   504-895-8889

A:   Magazine St.
New Orleans, LA 70115

all images copyright 2018-21:

Manfred Pollard

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